Latin American Art 3 by Latin American Art - Issuu
Title: Latin American Art 3, Author: Latin American Art, Name: Latin American Art 3, Just as exultant color might relate to the strong presence of nature in the Caribbean; when .. show with a collective of paintings ranging in over a decade in date. Vivir con la inocencia de un niño para preguntar, rebuscar y descubrir. Main · Videos; How is c14 used in carbon dating for men y colores en el viento descubrir latino dating y colores en el viento descubrir latino dating. Last added. Main · Videos; Dating a guy three years younger than me vs dating y colores en el viento descubrir latino dating y colores en el viento descubrir latino dating.
Thank you for your welcome. Pray for me and I will be with you again soon We will see one another soon. Tomorrow I want to go to pray to the Madonna, that she may protect all of Rome. Good night and sleep well! Second, he asked the people to prayer to the Lord that the Lord bless him as he began his pontificate, before giving his own blessing of the people. Mary Major, where there is a very ancient icon of Mary and the child Jesus, tradiitonally believed to have been painted by St.
In this sense, Francis's first public act after his election will be to pray before the Virgin Mary. My old friend and respected colleague, Italian Vaticanist Sandro Magister, has already posted a quite interesting commentary on the election of Pope Francis.
Sandro seems to like Bergoglio -- Pope Francis -- quite a lot. He is Jorge Mario Bergoglio. He is Argentine and Jesuit. He leaves Buenos Aires for Rome. His appointment has upset all of the predictions.
But he comes from far away ROME, March 13, - By electing as pope at the fourth scrutiny the archbishop of Buenos Aires Jorge Mario Bergoglio, the conclave has made a move as surprising as it is brilliant. Surprising for those -- almost everyone -- who had not noticed, during the preceding days, the effective appearance of his name in the conversations among the cardinals. His relatively advanced age, 76 years and three months, led him to be classified more among the great electors than among the possible elect In the conclave of the opposite had happened for him.
Bergoglio was one of the most decisive supporters of the appointment of Joseph Ratzinger as pope. And instead he found himself voted for, against his own will, precisely by those who wanted to block the appointment of Benedict XVI. The fact remains that both one and the other became pope. Bergoglio with the unprecedented name of Francis. A name that reflects his humble life.
Having become archbishop of Buenos Aireshe left empty the sumptuous episcopal residence next to the cathedral. He went to live in an apartment a short distance away, together with another elderly bishop. In the evening he was the one who saw to the cooking. He rarely rode in cars, getting around by bus in the cassock of an ordinary priest.
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But he is also a man who knows how to govern. With firmness and against the tide. He has always carefully kept his distance from the Roman curia. It is certain that he will want it to be lean, clean, and loyal. He is a pastor of sound doctrine and of concrete realism. To the Argentines reduced to hunger he has given much more than bread.
He has urged them to pick the catechism back up again. That of the ten commandments and of the beatitudes. The simplicity of his vision makes itself felt in his holiness of life. With his few and simple first words as pope he immediately won over the crowd packed into St. He had them pray in silence. Here is a link to the article: But Bergoglio stopped them. He ordered them to remain in Argentina and distribute the money they had raised to the poor.
In Rome, he celebrated his new honor nearly alone -- and with Lenten austerity. A man who does what he calls upon others to do. He has even made inroads with one of them in private meetings. From that moment, Mrs. He is a man who lives out his faith: He studied chemistry before becoming a Jesuit.
He became a priest at the age of Jurado en importantes premios. En algunas obras el quiebre de cintura forma dos diagonales: La audacia de los pasos en el baile, permite lo atrevido en la pintura. A symbolic and very graphic series, with almost minimalist drawings and primary colors barely combined reflecting the contradictions facing Cuban society in the fields of the country during the first years after the triumph of the Revolution.
By breaking drastically with the norms established by the Cuban landscape artist, this series did not gain the acceptance that it should have received in its time. There can be no doubt that any of them would have placed him among the most resolute of the Cuban landscapists without having to travel all that journey up until today In the series Casa del Campesino the hut was the focal point, but in the Paisajes, Landscapes series, which makes its appearance in unison, the palm acquires more importance, primarily the potbellied palm, which becomes palmwoman: In these works the landscape exudes sensuality and palms come alive by incorporating carmine and yellow hues in the lighted-up areas, leaving the rest in shadow.
His work begins to become more abstract. Latin American Art [ 22 ] enero-junio use of color. In the nineties in his Balseros Rafters series he incorporated into the pictorial small installations of wood and iron, those pieces of all types of materials represent what arrives at our coasts when the fragile embarkments did not reach their objective.
In the series Crucifixiones Crucifixionsstarted in the wake of the visit of Pope John Paul II to Cuba, the artist recaptures the color, the light; it is a mature work that, despite its intense chromatic strength, conveys peace. De la serie Caribe, His paintings have traveled the world. Eusebio Leal Spengler says: I found that out, while halting before a canvas, the shapes, the light, the colors, the textures, the lines, awoke in me different curious sensations: True and rampant need to reach the unknown of his innermost being!
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And now, long after that first emotional meeting, I am equally excited and fascinated by the complex rendering of the creator.
This simple man, who does not keep secrets, a stranger to egos and elitist posturing, offers us an extensive work, very personal, brimming with color and nostalgia, whose tranquility underlies and is spelled out in full measure to the astonished eye that approaches it. By the mere contemplation of his urban landscapes or his canteens, his fields, his balconies, his experimental abstractions, any sensitive person can understand, that the artist has features that are inherent, but others are the result of a constant search, of a desire to find a new expressive language, different techniques and crafted tools, often handmade, made by himself, enabling him to reinforce his messages and the peaceful beauty that emanates from his interior.
His impressive acrylics speak for themselves, of his skills and talents and that deep melancholy that marks the artist, when he has been away from what he loves and longs for in his life, or what he fears losing and therefore wants to leave his imperturbable footprint.
The rare longing for what he still has and wants to hold onto forever photographic gaze of CORDERO propitiates very beautiful places where you can see a figure of a woman that stands out in the background of some of his landscapes of countryside, as the reliefs seen are obviously breasts and female contours, in a quiet but significant tribute to the characteristics that we have, as women, and that distinguish us.
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And to his land, whose sensuous curves remind him of the delicate opposite sex, convergent in beauty and sinuosity. That is to say, he gives us that view of his realty, passed through the fine sieve of his sublime inspiration. Hence in the PONCE which gave him life, its streets, corners, architecture and parked cars, which tell of a time, all correspond to the truth, his truth, that which is internalized by the creator.
The His urban landscapes, on the other hand, based on reality or what comes to his imagination, are his favorite dish. Always a landscaper of incisive sight, who does not overlook the delicate lines, the perspective, the movement, the rich vegetation, the ornaments on the railings, nor the peculiarities of windows and roofs.
Neither does he exclude the individual aspects of the vehicles that can be appreciated in each proffer. I say they have the flavor of melancholy, despite the festivity, which are his colors for the eyes, because that constant return to the soul of the same streets, to the places that survive intact in his heart, are but melancholy flights of imagination towards what is loved and cannot be removed from memory.Pocahontas - Colores En El Viento (Susana Zabaleta)
These are forms in which nostalgia sings, in memories. Also, his zeal for probing, previously mentioned, notable in his work, has led to his large range of an entire lifetime devoted to pictorial work. Being with him is to penetrate into his expectations, forgetting about time. Reliving the relentless rhythm of his hands that do not stop when finding the fervent sources of color, texture, the depth of the ambiences.
Verdadera y galopante necesidad de llegar a lo desconocido de su profundo ser! Y a su tierra, cuyas sensuales curvas le recuerdan, las del delicado sexo opuesto, convergentes en hermosura y sinuosidades.