John cusack – Tag – Konitono
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The script is expertly written, adding layers of mystery and intrigue to these characters and their predicament. The script is actually the one facet of the film that I disliked the first time I saw it yet adored the second time. My taste has obviously matured when I first saw this film I was roughly twelve or so within the eleven year time gap between sittings and so I am able to appreciate the art that went into this film. Director Steven Frears masterfully crafted this picture, allowing the style of the film to permeate each scene and drawing out of his entire cast performances that only elevate the material and compliment the films overall presence.
There are three main actors at play here, all of which do a stand up job with the material. John Cusack delivers one of his finest performances as Roy Dillon. His performance never really garnered much attention his two lady co-stars do steal his thunder here but he does deserve to be recognized. He really understood the concept behind the film and you could feel a connection between him and his character.
He's not as polished an actor as Anjelica Huston, so she dominated him with ease when they shared the screen, but there is no denying that he grasped the style of the film he was in and delivered a commendable performance.
Anjelica Huston is one of those actresses that acts from her fingertips down to her toes. There is one scene in particular, when Lilly is in her hotel room on the phone with Roy and she sits on her bed with on leg bent and cocked up on the mattress and just her position breathed through the screen and confirmed that Huston was fully amerced in this character.
She became Lilly Dillon inside and out. As wonderful as Huston is, Bening is better.
I have complained about Annette before to friends, calling her out on her tendency to overact, as if she feels that is the only way to act. This performance used her tendency to create a character that felt so real and so effortless I just couldn't help but find myself glued to her every movement.
I just love the way that Myra is lighthearted and carefree one minute, her voice at a shrill and her head bopping from side to side, and then she shifts her countenance and her voice deepens a tad and her eyes sharpen and you know that she is conning you but you can't help but fall for it every time.
As far as supporting actors go, the list begins and ends with Pat Hingle. Hingle plays Lilly's boss Bobo Justus and his performance, while limited, is enormously captivating. His confrontation with Lilly is flawlessly acted with a realistic mixture of ruthless bravado and genuine interest. Those unanswered questions may seem like a big deal at first one of the reasons I disliked the film the first time but you realize when you take a step back that those questions we're left with only help us appreciate the finished product all the more.
This film is oozing with mystery and that helps us remember it well and desire to revisit it, if only to have a chance at answering some of those questions. One of 's very best movies.
Both Huston and Benning were nominated for the Oscar, but both were robbed of the gold by more showy Unfortunately both movies came out in a year that members of the Academy of Motion Picture Arts and Sciences decided that Kevin Costner's over praised Dances With Wolves was the best thing that had happened to the film world since the money making PG rating.
Readers of my reviews may know that I hate to give away even the smallest detail in trying to express whether I liked a movie or not, so all that I will say is that the movie involves three characters involved in different types of con games, a theme that was explored in a wickedly delectable fashion in Stephen Frears' Dangerous Liasons.
What makes both of these movies so exciting is that although they all have elements of violence, the most potent weapons used are the brain and the heart. All characters are flawed in one way or another, their actions are believable, and most of the time the consequences of said actions will lead to something that cannot be stopped.
Both Huston and Benning were nominated for the Oscar, but both were robbed of the gold by more showy performances by Kathy Bates and Whoopi Goldberg, in Misery and Ghost, respectively. John Cusack and the movie itself were not even nominated. At least Stephen Frears finally received a well-deserved nomination for Direction as he was ignored for Dangerous Liaisons. Angelica Houston gives one of the gutsiest and most unsentimental performances ever filmed.
Annette Benning has never been better. She's like a cat in this movie and uses her body and intelligence to create an illusion of what she wants people to see. John Cusack, who rarely if ever has hit a false note in his career, brings surprising humanity and a defiance to create a character that is hard to forget.
Every single supporting performance, especially Pat Hingle and J. Walsh, make a strong impression and serve to give the movie a strong base to take its challenging path without ever feeling like it has cheated the audience in any of its multiple surprises. In a nutshell, although the story is very well crafted, it's the direction and performances that make this movie resonate.
It's simply a joy to watch actors at the top of their game, and for me it was a hoot to see Annette Benning to her thing as this was the first time that I had seen any of her work. When I see a movie like this, which I just saw for the first time since it first came out, I am reminded of how much I love movies made for adults and made without the commercial tie-ins, focus groups, and ratings considerations that seem to rule the industry with more frequency. Don't get me wrong, I too enjoy a well made pop-corn summer flick, but it is movies like The Grifters that stay with you long after you see them.
If you like movies that look into the dark places of the mind, are unapologetically unsentimental, and focus on characters who are not cardboard stereotypes, this one is for you. One note, it's not a movie for kids as there are some scenes and ideas that are already hard to watch as an adult. Atmosphere, performances, dazzling movie style and grace, heart and soul.
Read more Those of us who love this film, love it a lot. It is one of my all time top films that I watch shamelessly for record numbers of times and love the same, if not more. I will never understand how Jeremy Irons, during his visit with James Lipton on Inside the Actor's Studio, could possibly state that American films lacked soul while the British films had long since cornered the market in that particular quality.
The Grifters is as loaded to the gills with every quality necessary to film greatness as the greatest British, or any other European film ever made. These folks are not burdened with the need to justify their lives or livelihoods. Remember Bob Hoskins character reminiscing fondly about his boyhood start as a gangster doing some scam with cars and intimidation.
Whenever the grifter or the gangster gets a big dose of self-righteous indignation, it is alway for his or her own benefit and never applied to another victim, harmless or otherwise. I love the blurring of eras in the Grifters, the feeling that although the story is depicted in the 's, it has the rich, indefinable quality of Alfred Hitchcock's films from the 's. The Grifters takes the American film to the top of the world's cinema and challenges the rest of the world to do better.
On a sadder note, it is also the pinnacle of American short-sightednes and just plain old bourgeois lack of artistic sense, not to award films like Grifters the big awards that are so well deserved. Perhaps the Academy feels that you can only let a good independent film have its day every ten or so years and let the Cannes Film Festival, or Sundance, or whoever take care of the rest of the finest productions of cinematic artistry.
Stephen Frears' Best Work Annette Benning lets it all hang out, as she has done with all of her performances, even after ascending into Hollywood royalty as Mrs. Despite those stellar performances, they're still no match for Angelica Huston. Read more If, like me, you saw and loved Stephen Frears' outing "Dirty Pretty Things" starring Audrey Tautou in her first English-speaking roleconsider going back and watching what is arguably his finest effort, "The Grifters.
InJohn Cusack was just transitioning into adult roles, in much the same way his character Roy Dillon is doing. She is truly magnetic as Cusak's mother, Lilly. It's essentially a cameo role, but it's the performance that stands out foremost in my mind two months after viewing. Nice Special Edition of a great movie Great score, great performances not just the three leads, there are tons of bit parts that are very memorablegreat dialogue. The pacing is snappy.
Read more A fantastic movie about con artists. The tone of this movie is perfect: I'm not going to say the movie is flawless, but honestly I can't think of anything particularly negative to say about it. The DVD is a modest collector's edition. Some may say the extra features are a bit spare, but what is here is very useful and informative.
When he came to America and at what age would only be speculation, though he most likely landed in New York City.
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Two brothers, our great grandfather and his brother, came over to America to visit; the grandfather George concluded to remain.
He married a German woman. George Cusick by was most likely dead and may have been near 80 or even older at his demise. Only the late Dolores Ileen Cusick Salyer sometime afterlisted the above adding Matthew [which nothing more is known about him] and Peter, her great grandfather. Abraham Ten Eyck dated His service was probably the New York line.
George and Molly seem to be residing in Woodstock in with son William. Miller having children, including Elizabeth Miller bcwho married Herman Rundell.GOLDIE HAWN & JOHN CUSACK: Imitating Angelina's Right Leg (The Graham Norton Show)
Mary was the dau of Henry Bush and his first wife Catrina Snyder. George and Molly had sons and daughters. A complete list is unknown. J M Cusick claimed in that he died in New Orleans but that given his age is most unlikely. Henry was without doubt the eldest son of George and Molly. She has been said to be the widow of William Lewis having 5 children prior to her marriage to Henry but nothing has been found to confirm that in any way.
Here they remained till early when they traveled by ox-wagon to Oregon Territory, Thamar becoming at age 81, the oldest woman to travel the Oregon Trail. She is buried at the Pietrok Cemetery five miles west of Lyons, Linn Co, Oregon, on a high hill overlooking the North Santiam River in a grove of tress with her youngest child Robert George and other family members.